Photochrome Camera Club

San Francisco Photography Club: Established 1942

Archive of Tutorials

I’ve been asked by club members a couple of times about advice for buying laptops that you can use for photography when travelling. A lot of photographers use a desktop as their main digital darkroom because of their power, the ability to add extra hard drives and to accurately calibrate their screens among other reasons. However, when we’re travelling we want a PC to take with us. So what should you look for?

To begin with, if the laptop is not going to be your primary machine I don’t recommend that you spend too much. You don’t need to buy a top of the line business or gaming laptop if you just need it for your vacations, browsing the Photochrome website in front of the TV, or doing your email away from your home office. Laptops take a beating from being carried around and I’d much rather buy a cheap, new laptop every 3 or 4 years than an expensive one less often than that.

Secondly don’t buy a larger machine than you need. Some laptops have monster 17″+ screen which are great for editing photos on but you won’t want to carry them very far and their battery lives are generally worse than their smaller siblings. That said, I would recommend a 10″ netbook. Netbooks are small, cheap laptops that have become very popular but I would avoid them for photography because they don’t have the hourse power or real estate needed for editing photos even casually.

My preferred laptop screen size is about 12″. At this size the screen is usable if a little small but the machine is small enough to carry without breaking your back. If you’re going to travel with it I wouldn’t recommend a machine with a screen bigger than 15″.

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Of course it can’t be comprehensive in 25 minutes but here’s a great introduction to what PhotoShop can do in less than half an hour:


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If you missed Martin’s presentation, or you wanted to review part of it, or you fell asleep towards the end here it is. Backup strategies is the least sexy subject for a photography presentation but it is hugely important to anyone whose data is valuable to them. This whole presentation can be summed up in the following take away points:

  • All data should be copied on to three disks in at least 2 physical locations.
  • You must have a daily, incremental, automatic backup: if it’s a manual process you will neglect it.
  • You must make a regular off-site backup.
  • You must periodically test, review and revise your backup strategy.

Some of the products mentioned in this presentation:

Street Parking from Martin Taylor on Vimeo

On May 20th Martin Taylor attempted to make a presentation about how still photographers could explore some video possibilities through creating slideshows, time lapse sequences and using the HD video capabilities built into current DSLRs and other digital cameras. Unfortunately the gods of technology conspired against us and there were problems projecting the videos Martin had prepared for the presentation. Here are links to the videos Martin intended to play:

Slideshows:

Time Lapse:

HD DSLR Video

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Here is Martin’s presentation from Thursday on Black and White photography:

B&W Digital Photography: The How’s and Why’s from Martin Taylor on Vimeo.

If you want to see just the conversion methods, skip forward to minute 12. If you want to be able to see more detail of the screencasts (i.e. the exact menus I’m navigating to etc.) click the Vimeo link bottom right of the video to open the host’s site, then watch full screen by clicking the icon bottom right of that video.

by Martin Taylor

by Martin Taylor

How many times have you heard members at meetings say, “It didn’t look like this at home” when they see their image projected? Confusingly, others tell us that their images look pretty much the same in their home digital darkrooms as they do at the club. What’s going on?

Have you ever tried to watch a TV during the day in a very bright room? The reflections can be so distracting as to make the screen unwatchable and the colors and dynamic range of the picture are washed out in the extreme. The same TV in the same room can look great that night. That’s the destructive power of ambient light.

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